Brian Chris Rogers

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You would be hard pressed to find anybody involved in the Sacramento music scene who hasn’t heard of Brian Chris Rogers.  OK, you may not have known his name, but you have most likely seen his face on stage, on TV or heard his voice on the radio.  Brian is one of the finest multi-instrumentalists out there playing with the likes of Joe Kye, The J Band, Izabella, founding member of the “Best Jazz Group” SAMMIE winner four years running Four Guys From Reno, Massive Delicious, Bob’s Child, Justin Ferren, The Nibblers, Random Abiladeeze, The Toyes, and The Coalition.  He’s been on stages opening up in front of thousands in rallies for Bernie Sanders.  He’s toured the country in cars, vans and buses all in the pursuit of musical exploration, camaraderie, and sharing with others what he loves, making music.

In addition to his musical collaborations, Brian is also quite the accomplished solo artist.  Being the passionate soul he is, his gear gets a full workout with each show he puts on.  Whether it be his looping bass wizardry or his (very) percussive acoustic guitar chops; Brian puts his instruments thru their paces.

As far as I know he only as two stringed instruments; his Pedula bass and his Breedlove acoustic.  If he has others, I’ve never seen em; not in my shop, or on stage, or whilst hangin with friends.  I could be wrong, whatever….

Both of these guitars have been through the ringer.  I’m not sure how many times I’ve replaced the output jack of the Pedula, but I have lost count.  If memory serves, he got the Pedula right at the end of our senior year in high school or soon there afterwards.  Most fretted instruments need a fret dressing here, a few fret levels there.  And after 20-30 years you replace the frets.  Not the case for the Pedula.  I think it was about two years ago (ten years into it’s life) I gave it a re-fret, and it needed it….  And as is the case with most re-frets, a new nut was needed as well, bone for this one.  The only other bit that needed replacing was the E string de-tuner, one of those fancy tuners with the lever that drops the low E to a D with a flip of a switch.  Those are neato.

The Breedlove was a fun one to fix up.  Brian’s playing style, as I stated before, is very percussive.  Lots of using the guitar as a drum, creating loops and rhythms to play on top of.  But years of beating upon his guitar soon started to show.  First it was a big crack on the top.  Then braces were falling off the top.  Not cracked braces, or loose braces.  Just straight up braces falling out of his guitar!  At first I just fixed the crack in the top like I always do with some small cleats glued  along the top.  This was before braces started to fall out.  When Brian told me about the brace, it wasn’t just the brace, it my cleats too!  Dude works his guitars….

What I decided to do was basically “inlay” a piece of thin spruce in between the x braces, and the side of the guitar.   There was another section I added spruce to in between an ex brace, lower face brace, and the side towards the butt end of the guitar.  These are the points that he slams into the most. So I figured after one failed attempt at a repair, that these areas really need some reinforcement.  It’s a fine line though from reinforcement to tone sucking piece of wood.  It had to be thin enough, but strong.  I sanded the spruce to .027″ thick and I oriented the grain to be perpendicular to the top.

I was (and am) really happy with the result.  The spruce fit really nicely and it didn’t effect the tone at all.

I don’t know if this goes without saying, but the Breedlove’s frets, yeah I’ve messed with those a lot too.  And now that I think about it, I made a new bone nut and saddle for the Breedlove too.  I almost forgot….

Please do yourself a favor and check out Brian’s musical world.  You will be very happy you did!

https://www.facebook.com/brianrogersmusic/

http://www.brianrogersmusic.com/

https://twitter.com/bchrisrogers

https://www.instagram.com/brianchrisrogers/

http://www.brianrogersmusic.com/epk/

My first acoustic plays at the Ford Theater!

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Back in June the first acoustic I had the pleasure to build performed at the Ford Theater in Los Angeles, in the very worthy hands of singer/guitarist/violinist extraordinaire Fabio Nani in the Los Angeles based quartet The Joy Singers.  The performance took place during a talk given by NayaSwami Kriyananda, a direct disciple of the spiritual powerhouse Paramhansa Yogananda.

Here is a picture of The Joy Singers along with some of their friends performing.

I couldn’t find a link that led to this particular performance but I did find a link that goes to The Joy Singers performing before a “Question and Answer” gathering with NayaSwami Kriyananda at the Biltmore Hotel in L.A..  It’s all audio and starts off with The Joy Singers performing a piece entitled “Why?”

http://www.ananda.org/mp3/2012-06-26biltmore_qa_swami.mp3

Till next time, keep the tunes playin…

Christian

 

Sam Phelps Guitar

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This Guitar is in the hands of a dear friend of mine, Sam Phelps.  Sam is a musician extraordinaire, producer, performer and touring artist playing with such acts as Izabella, 4 Guys from Reno, Brian Rogers and many others.

The guitar is my “student electric” guitar I built while attending R-V and it features…

Two piece Mahogany body

Two piece, glued in, Mahogany neck with an Ebony fingerboard and headcap

24 5/8 inch scale

Jumbo frets, I think.  It’s been a while since I saw it last.

Book matched burled Maple top

“Tortise” Binding

Belly carve

Weird morphing inlays and the “Christian Allen” signature inlay on the headcap all done in  Abalone.

A Seymour Duncan 59 in the neck and a Custom Custom in the bridge

Master volume and a  tone for each pickup and a push/pull on the bridge tone to tap the pickup to become a single coil.

Mini cut-off switch

Three way selector switch

Schaller tune-a-matic bridge and tail piece and Schaller M-6 tuners with Ebony buttons

I would like to explore this shape more so in the future.  I Like how it looks now, but I think this was just step one.  I would like to smooth out some of the lines and refine the inlays.  I like the concept of the morphing inlays; each shape in motion to the next; but again, the lines can be refined.  Carve tops are something that I definitely want to explore, perhaps this will be the guitar to explore with?..

Thanks for checking things out, till next time…..